Samuel Richardson's Pamela is a captivating story of one young woman's rebellion against the social order, edited by Peter Sabor with an introduction by Margaret A. Doody in Penguin Classics.
Fifteen-year-old Pamela Andrews, alone in the world, is pursued by her dead mistress's son. Although she is attracted to Mr B, she holds out against his demands and threats of abduction and rape, determined to protect her virginity and abide by her moral standards. Psychologically acute in its explorations of sex, freedom and power, Richardson's first novel caused a sensation when it was published, with its depiction of a servant heroine who dares to assert herself. Richly comic and full of lively scenes and descriptions, Pamela contains a diverse cast of...
Samuel Richardson was born in Derbyshire in 1689, the son of a London joiner. He received little formal education and in 1707 was apprenticed to a printer in the capital. Thirteen years later he set up for himself as a stationer and printer and became one of the leading figures in the London trade. As a printer his output included political writing, such as the Tory periodical The True Briton, the newspapers, Daily Journal (1736-7) and Daily Gazeteer (1738), together with twenty-six volumes of the Journals of the House of Commons and general law printing. He was twice married and had twelve children.His literary career began when two booksellers proposed that he should compile a volume of model letters for unskilled letter writers. While preparing this Richardson became fascinated by the project, and a small sequence of letters from a daughter in service, asking her father’s advice when threatened by her master’s advances, formed the germ of Pamela; or, Virtue Rewarded (1740-41). Pamela was a huge success and became something of a cult novel. By May 1741 it reached a fourth edition and was dramatized in Italy by Goldoni, as well as in England. His masterpiece, Clarissa or, the History of a Young Lady, one of the greatest European novels, was published in 1747-8. Richardson’s last novel, The History of Sir Charles Grandison, appeared in 1753-4. His writings brought him great personal acclaim and a coterie of devoted admirers who liked to discuss with him the moral aspects of the action in the novels. Samuel Richardson died in 1761 and is buried in St Bride’s Church, London.
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Peter Sabor is professor of English at Queen’s University, Ontario. He has also published Horace Walpole: A Reference Guide (1984) and edited John Cleland’s Memoirs of a Woman of Pleasure (1985) and Sarah Fielding’s Remarks on Clarissa (1985).
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Margaret Doody teaches at the University of Notre Dame where she is the John and Barbara Glynn Family Professor of Literature. She is the author of a number of books including The True Story of the Novel, and is currently writing a book on Venice, as well as the next Aristotle book.
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