Ryünosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashömon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.
Ryunosuke Akutagawa was a short-story writer, poet and essayist, and one of the first Japanese modernists translated into English. He was born in Tokyo in 1892, and began writing for student publications at the age of ten. He graduated from Tokyo University with an English Literature degree and worked as a teacher before becoming a full-time writer in 1919. His mother had suffered a mental breakdown shortly after his birth and he was plagued by fear of inherited insanity all his life. He killed himself in 1927.
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In 1978, Haruki Murakami was twenty-nine and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe. Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.
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Jay Rubin is an American translator and academic. He is the translator of several of Haruki Murakami’s major works, including Norwegian Wood and The Wind-Up Bird Chronicle, Natsume Soseki’s The Miner and Sanshiro and Ryunosuke Akutagawa’s Rashomon and Seventeen Other Stories. He is the author of Making Sense of Japanese, Haruki Murakami and the Music of Words and a novel, The Sun Gods.
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