At first, these extraordinary poems may unsettle and disturb, but the next reading could be one of rapture and astonishment; it all hinges on your point of view. Like the optical illusion of the maiden and the crone, you can only see one image at a time; the brain deciding which is the figure and which the background. It is a book that acts out its own subjects - dualities, ambiguities, boundaries - through physical dislocation, through patterns of interference.
This is a collage of many voices: eager or dispassionate, unreliable or matter-of-fact - depending, as with everything else, on your angle of entry. Some of the voices fear involvement; some are afraid of doing nothing; some, perhaps, have already gone too far. Like the image on the cover, these pieces shimmer...
J. O. Morgan is a Scottish author. His 2018 work Assurances, looking at the RAF's early involvement with maintaining the nuclear deterrent, won that year's Costa Poetry Award. He has been twice shortlisted for both the Forward and the T. S. Eliot Prize. Appliance is his second novel.
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