Extract: The Horse Woman by James Patterson & Mike Lupica

This entry was posted on 28 January 2022.

Maggie Atwood and Becky McCabe - mother and daughter, both champion riders - vowed to never, ever, compete against one another. But a dramatic turn of events ahead of the Paris Olympics changes everything. Mother and daughter share a dream: to be the best in the world. Only one rider can fulfil that dream and make history. Only one rider can make history.

 


 

“Little (Horse) Woman”

YouTube.com

1.5 million views

Originally posted: January 15, 2012

 

THE VIDEO SHOWS a little girl alone in her bedroom. Maybe

she is ten years old, maybe a bit older than that. As we watch

her, she carefully places a small stool in front of her full-length

mirror. The camera pans to shelves filled with trophies and walls

papered with brightly colored ribbons, almost all imprinted with

the image of a horse.

As she turns slightly, we see that one of the ribbons is hanging

from a string around her neck. She squares herself in front of the

plastic stool, as if about to step onto a medal stand, then pauses

to reach down and press a button on her phone.

We hear our national anthem begin to play. Now the girl, her

long hair in a ponytail, beautiful face solemn, places a hand over

her heart, and stands at attention.

That girl was me once.

Then I grew up.

It’s like one of my trainers would tell me, much later:

Shit happens.

 


 

ONE

 

EVEN IN A HORSE FAMILY, I was the black sheep.

I was late getting to the barn the morning everything changed,

for me and for all of us. Even the horses.

It was said at Atwood Farm that I was operating on Becky

Standard Time. BST. Whenever I made excuses for being late,

my trainer, Daniel, shortened it to BS.

New Year’s Eve was still a few days away, but today my reason

was simple enough: I’d been out way too late the night before

and ended up crashing at a friend’s house, where I’d blown

through two alarms on my phone.

Sunday night was party night for the horse people in Wellington,

a Florida town built around the horse business — the

Winter Equestrian Festival, the dressage show across Southshore

Boulevard, and the Masters Series for jumpers at Deeridge

Farm.

There were no events at the WEF on Monday or Tuesday, so

I headed out with riders and trainers and grooms and owners,

even the polo players who’d spent the weekend competing at

the International Polo Club. I was one of those college kids who

liked to party.

I hadn’t learned anything about riding last night. But I had

woken up with the Monday-morning lesson that drinking tequila

with polo players makes me feel as if one of them had taken a

mallet and hit me in the head.

My name is Becky McCabe. Short for Rebecca. Just Rebecca of

Sunnybrook Farm — one of the stories my mom used to read to

me when I was little — but Rebecca of Atwood Farm, owned by

my grandmother, Caroline Atwood.

She’d never been a Granny or Gran or some other nickname.

That wasn’t her. She was just “Grandmother.” Or “Caroline.”

Nothing more cuddly than that. “The grandmother,” like it was

her official position, was another way I thought of her, maybe

the way that described her best.

“Your mother’s on her way to the Olympics,” Grandmother had

said the night before. “And you’re on your way to the bar.”

I’d grown up watching her stop horses in the ring with just

the snap of her voice, like she was cracking a whip. I once told

her during an argument that she was a lot like those horses —

only they were nicer.

“I’m not Mom,” I said.

“Not exactly breaking news at this point,” Grandmother said.

“You keep forgetting I’m twenty-one, Grandmother,” I said.

“And proud of it,” she said.

She was seventy-two, proud that she still owned the barn

that she and her late husband, Clint, a legendary horseman, my

grandfather, had built together. She was still a great beauty, even

in an Atwood Farm navy windbreaker, jeans, and boots, her

steel-gray hair pulled into a ponytail. I could see Mom in her.

And myself.

Now I was pulling into the driveway at nine thirty — no

one at Atwood Farm’s definition of an early start time — having

just blown through a couple of lights on Southshore Boulevard,

hoping this might be the one morning of the whole year — or of

her whole life — when my mom, Maggie, had gotten a late start

on her trail ride.

No chance.

Noticing again how run-down our barn looked from the outside,

I ran for the tack room, where I kept spare riding clothes

in a locker. One of our grooms, Emilio, was leaning against the

wall where the bridles were hung, arms crossed in front of him

and sadly shaking his head.

“You got left behind, chiquita,” Emilio said.

“How long ago did she leave?”

He pulled out his phone and squinted at it.

“Thirty-one minutes,” he said. “And counting.”

“How pissed was she?” I said.

“Not any more than usual,” he said.

“You think I should try to catch up with her?”

 


“Sky and I had won our share of jumping events over the years. At our best, we were a perfect, fearless match.”


 

“Was me, chiquita?” Emilio said, grinning at me now. “I would

saddle up on Sky and start riding south and maybe not be

stopping until I got to the Florida Keys.”

Sky was my horse. My baby. Technically she was a gray,

even dark gray as a colt. But more white now. A Dutch

warmblood. Riding horse bred to be a jumper. Smaller than

Mom’s horse, Coronado, by a lot. We’d found out about her

from a trainer moving back to Ireland. When I saw her, I’d

fallen in love with her after riding her just one time. All

it took.

Mom and Dad were divorced by then, and we couldn’t afford

to buy another horse. But when I told Dad about Sky, he bought

her for me. Called it an early birthday present. Now the little

horse was my best friend in the world.

Sky seemed to love me just the way I was. I loved her even

more fiercely back. She didn’t want me to work harder, or win

more, or party less. Or wake up earlier. It didn’t matter to her

that Maggie Atwood had been a champion from the time she’d

been the age I was now.

She was Atwood, by the way, and I was McCabe because she’d

given up my dad’s name after the divorce. I’d kept it. People

sometimes wondered if we were even related.

Oh, Sky and I had won our share of jumping events over the

years. At our best, we were a perfect, fearless match. Even after

Sky had knocked down a rail or two and taken us out of the

running for a ribbon, I’d come out of the ring and see that our

time was five seconds faster than anybody else’s. And as hard as

I tried, I couldn’t feel sad about that.

It was why my trainer, Daniel, had taken to calling me

Maverick, after the character Tom Cruise played in Top Gun.

“You have the need,” he’d said, “for speed.”

“I’m not still in pony camp,” I’d said. “I just don’t know what

I want to be when I grow up.”

“When?” he’d said. “Or if?”

Where I pushed boundaries, Mom was precise. We were all

sure she’d be riding Coronado in the Olympics in Paris late next

summer. She was one of the best riders in the country. Trying to

prove she was one of the best in the world.

Mom only went as fast as she needed to when she was in the

ring. Even when one of her horses refused a jump at the last

second, I had never seen her fall off. Other riders, sure. It had

happened to me plenty of times. Her? Never.

In every area of life, she stayed in her lane, and excelled there.

She wasn’t reckless. Didn’t take chances. Even when she and Coronado

got a bad start in the ring, I’d watch her figure things out in the

next half minute. Sometimes sooner. Like she’d hit a reset button.

We didn’t need a handyman at Atwood Farm as long as Mom

was around. If something broke, she put it back together. A

saddle. A bridle. A spur.

Wonder Woman, the horsewoman.

Don’t get me wrong: We loved each other. A lot. We were just

different.

A lot.

It’s why Mom and Grandmother — and Daniel — believed that

Sky and I weren’t at our best often enough, that I wasn’t the

champion they needed me to be.

One of the beauties of our sport is that men and women

compete against each other, from the time they’re teenagers until

some of them are past sixty.

Maggie Atwood didn’t only aspire to being an Olympic equestrian,

she was a serious gym rat. She was on the clock with an

exercise class, followed by a session at the gym, and a massage

booked for after that. She couldn’t afford to waste precious

minutes waiting for me.

Another time fault for Becky McCabe.

Emilio said he’d throw a saddle on Sky. In the bathroom next to

the tack room, I got into my riding pants and boots and helmet,

came out and took the reins from Emilio and started walking

Sky toward the schooling ring. It was then that I heard shouting,

saw Daniel and Emilio running toward the main road.

Then I saw why.

Mom’s horse, Coronado, her ride to the Olympics, was coming

straight for them, at full gallop, as if he were the one feeling the

need for speed.

Daniel took charge, motioning for Emilio to fan out from the

out-of-control horse, protect themselves from being trampled.

No shouting from them now. They had their arms out in front

of them, trying to calm Coronado, slow him down.

Usually that would have been the rider’s job.

Mom’s job.

But Coronado’s saddle was empty.

 


“There was always a mystery, even some magic, to what horses knew. And didn’t.”


 

TWO

 

“HE KNEW ENOUGH to come home,” Daniel said to me.

Home meant the barn.

One firm barn rule was that nobody went out on a trail ride

alone. Mom had just done it — her idea of being a maverick.

Now I had to break that same rule if I had any chance of

saving her.

In my heart I knew that if the situation were reversed, Mom

would jump on Sky and ride all the way to the Florida turnpike

and back if that’s what it took to find me.

Now I jumped off Sky, handed her reins to George, one of the

other grooms, and moved closer to Daniel and Emilio, keeping

my distance, not wanting Coronado to spook more than he

already had.

Then Daniel slowly reached for the horse’s bridle, talking

softly to him in Spanish now. As he did, I came in behind them

and put a foot in the stirrup closest to me.

“Let me go find her,” Daniel said.

“No,” I said.

He put his hand on my arm. I looked down, glaring his

hand away.

“My mom,” I said. “Her horse.”

We had a brief stare-down, until he nodded and let go of

the bridle.

Emilio gave me a leg up into the saddle. Mom’s saddle. Her

horse. They were connected in the same way I was connected

to Sky.

When I was on Sky and trying to get the distance between

jumps exactly right, I was never really sure how much of it

was me and how much of it was a combination of her breeding

and training and instinct and even muscle memory. In those

moments of trust between horse and rider, it was as if we were

sharing one brain.

There was always a mystery, even some magic, to what horses

knew. And didn’t.

Now I wanted Coronado to know where Mom was, and take

me to her.

 

THREE

 

I’D RIDDEN CORONADO plenty, worked him out when Mom

and Caroline traveled to look at horses for the barn, even jumped

him one time when Mom was down with the flu.

This time I was just along for the ride, headed back out the

trail along the Palm Beach Point canal, past the Nason barn next

to the huge new barn being built by Wellington newcomers, a

Kentucky family with money to burn.

Usually I loved being out here, loved the solitude of it and

the quiet and the open space. Mom said she did, too, though

sometimes I got more enjoyment when Mom wasn’t with me.

Not now. All I could think of was the question she’d once

asked me about people who don’t ride. “How can they really

feel alive?”

Please let her ask me again.

If her horse came back to the barn alone and she was somewhere

out here, it had to be bad.

Coronado and I weren’t going fast. It’s one of the myths of our

sport that a horse has to be going fast to throw its rider.

We were out into one of the last undeveloped parts of Wellington.

Someday there would be barns out here, too.

Where was she? Was she badly injured? I could feel the panic

building inside me. If somebody hadn’t found her by now, put

her in a golf cart, or an ambulance, I was going to be the one.

There had to be a damn good reason why she had ended up off

her horse.

My eyes kept searching the narrow canal as we moved north,

not wanting to see her down a glorified ditch.

If I hadn’t been late this morning, none of this would have

happened.

I saw her then.

Saw her and felt the air coming out of me all at once, as if I’d

been the one who’d gotten thrown. She was maybe fifty yards

ahead, between the trail and the canal, on her side.

Motionless.

Except that her body seemed to be going in two different

directions at once. The boots I’d ordered special from New York

City, for her birthday a few weeks ago, were pointing toward the

water, and her upper body was pointing toward the trail.

I was afraid my mother might have broken her neck. I’d

seen it happen once before, in person, a Grand Prix event. A

horse had refused a jump and threw his rider, who’d gone down

and had stayed down until the ambulance was in the ring. He

recovered from the injury to walk again, eventually. But he never

rode again.

I walked Coronado to her, knelt down. Her eyes were closed,

but I could see that she was breathing. She was still wearing her

helmet, caked with dirt, like the rest of her.

I knew enough not to move her. I just leaned close.

“Mom,” I said. “I got you.”

Then I took the phone out of my back pocket and dialed 911

thinking, Yeah, Becky, you got her.

A half hour too late.”

 

Extracted from The Horse Woman by James Patterson & Mike Lupica, out now.

 

 

 

 

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