Extract: The Memory of Animals by Claire Fuller

This entry was posted on 02 June 2023.

The Memory of Animals  is a taut and emotionally charged novel about freedom and captivity, survival and sacrifice and whether you can save anyone before you save yourself.

 


 

Dearest H,
Is it possible to fall in love at twelve? With an octopus? I met him in the Ionian Sea when I was snorkelling off the beach where my father had his hotel. I like to think he loved me back, as you maybe did too. I wonder often where you are and how you’re doing. Are you dead or alive? Was it wrong, what I did? And is it better to live a small life, contained and enclosed where everything is provided and the unexpected rarely happens? A safe life. Or one where you swim out into the unknown and risk everything. I chose for you since the choice wasn’t yours to make. But, I wanted to write to apologize to ask your forgiveness to explain myself.
Neffy

 

Day Zero Minus Two
A nurse collects me from the ground-floor lobby and takes me and my wheeled suitcase up in the lift. I smell the familiar odours of disinfectant and industrial cleaner, mixed with a kind of hopeful hopelessness. The nurse, whose head is level with my chest, is wearing the ubiquitous hospital top and loose trousers; the same as the nurses wore in the clinic in the hills above Big Sur and in the hospital in Athens. She’s also got on a medical face mask like me but, above her brown eyes, neatly drawn eyebrows arch. She asks whether I had a good journey even though she must know they sent a car and that I sat in the back with a plastic screen between me and the driver. What she doesn’t know is that I was smarting from the argument with Justin while the phone in my pocket vibrated with messages from him and Mum – apologies at first, rising to warnings and then angry admonishments to turn back now. Part of me worried I’d made another bad decision but the more my phone buzzed the more determined I became. I tried to calm myself by watching the empty streets of central London go by and counting the number of pedestrians we passed. When the car pulled up outside the unit, I was up to thirty-three.

The nurse has an accent; Thai, I guess. The lift stops on the second floor, the top floor. She tells me sixteen other volunteers will be arriving, and that I’m the first. ‘Volunteers’ is the word she uses although we are being paid. That, for me, is the point.

‘We’ll get you settled in,’ the nurse says. ‘No need to be nervous.’

‘I’m fine,’ I say, although I’m not sure I am.

The lift doors open to a windowless reception with a long desk behind which sits a young woman in a white uniform. VACCINE BIOPHARM is displayed in large letters on the wall, with your dreams , our reality beneath. An extravagant flower arrangement is at one end of the desk, a dozen tall stalks with orange flowers in a glass vase, and beside the lift there is some soft seating and a low table with glossy magazines fanned across it. The place looks like an advertising company from some American television series.

‘Good afternoon,’ the receptionist says from behind her mask.

‘This is Nefeli,’ the nurse says.

‘Hello, Nefeli.’ The receptionist speaks like a children’s TV presenter, too gleeful.

‘It’s Neffy,’ I say. ‘Hello.’

The receptionist’s nails click on her keyboard as she checks me in.

‘Room one?’ the nurse asks.

‘Room one,’ the receptionist says as though this is the best room.

The nurse leads me to a wide corridor of closed doors and recessed lighting, a nurses’ station, hand sanitation units at intervals along the wall, and glove dispensers. Our shoes squeak on the vinyl flooring, which is patterned with a sweep of a different colour as though to guide our way. My first name is already on the whiteboard attached to the door of room one.

‘I’ll change it to Neffy,’ the nurse says as she swings the door open and lets me go in first, like an estate agent showing me around. One of those tricks to make sure I’m impressed.

I’m relieved to see a picture window the full length of the far wall beyond the bed. Three weeks isn’t so long if I can see more than four walls. I can do this. Outside is a view of roofs across to the east, and opposite, an old red-brick building which looks as though it’s been converted into apartments. Behind a row of square-framed windows– what’s the architectural term for them? Justin told me once – a woman shrugs herself into a raincoat and disappears into the depths of her flat. Separating us below is an alleyway and when I peer to the right I can see a sliver of the main road, with a bollard stopping any traffic from turning in. Leftwards, beyond the end of the unit, the alley meets a dead-end road, which turns the corner around the building opposite and out of sight.

 


“Boo snaps on a pair of blue plastic gloves and swabs the back of my nose. I can’t help but pull away and she apologizes.”


 

Everything in my room might have come from an identikit upmarket-hospital-room catalogue. I don’t doubt that the other rooms are furnished the same: hospital bed, wardrobe with full-length mirror, desk, large-screen TV attached to the wall and two easy chairs facing each other in front of the window as though I might be allowed to receive visitors and offer them coffee. And to my right a door leads through to a tiled shower room.

‘I need to go over some things with you,’ the nurse says. She unconsciously turns the gold band on her wedding-ring finger. ‘And then I’ll leave you to unpack. You can take off your mask if you like. Volunteers don’t need to wear one.’

‘Okay,’ I say. I’ve read through the ‘what to expect’ email many times. My phone pings again as I remove my mask.

‘Do you want to look at that?’ As though suddenly conscious of her habit, she lets go of her wedding ring.

‘No, it’s fine.’ I’m here now, I don’t care what Justin and Mum are telling me to do or not to do.

‘You just have one case?’ The nurse’s nametag says ‘Boosri and when she sees me looking, she says, ‘You can call me Boo.’

‘I don’t need much,’ I say. The wheeled suitcase is an old one which Mum bought for my first solo trip to visit my father – Baba – in Greece, the summer I turned twelve. Before that, Baba had bought plane tickets for her and for me, and Mum would travel with me, handing me and one of her old suitcases over to Margot at Corfu Arrivals with hardly a word spoken. I would be embarrassed on Mum’s behalf, fidgeting while she hugged and kissed me and tidied my collar, which wasn’t untidy. I never turned to look at her as I skipped out into the wall of Greek heat with Margot; never once thought about what it must have been like for her to walk straight back into Departures and catch the next plane home to England, alone. When I was twelve either Mum decided I could do the trip alone, supervised by a cabin attendant, or maybe Baba questioned why he was buying two tickets when one would do.

Boo takes a screen from a wide pocket in her uniform, taps to wake it up. ‘So, I need to check, you don’t have alcohol in your bag?’ I shake my head. ‘No cigarettes, no tobacco?’

‘No.’

‘No drugs, prescription or anything else, except birth-control pills? No food of any kind? Sweets, snacks? Coffee, tea?’

I shake my head at each item.

She asks me to read the disclaimer one last time and indicates where I should sign with the stylus. I skim the information and scrawl a signature. She scans the barcode on a white wristband and has me confirm my name and date of birth, and then attaches it to my right wrist. She asks if I’ve had any symptoms in the last five days, and she lists them. ‘No,’ I answer to each one. Have I kept myself isolated, apart from contact with my immediate household in the last seven days? ‘Yes.’ I haven’t been near anyone except Justin for more than a week.

Boo snaps on a pair of blue plastic gloves and swabs the back of my nose. I can’t help but pull away and she apologizes. ‘This will be tested overnight to make sure you’re not asymptomatic.’ She puts it in a plastic tube, labels it, tucks it back into her pocket. ‘The doses of the vaccine will be given in staggered intervals,’ she explains. ‘You’re in the first group, tomorrow afternoon. Okay?’

She shows me how to turn on the television and how to lower and raise the blinds on the external window using the voice service, and she explains that the venetian blind on the interior window which overlooks the corridor must always remain up, even at night, and she tells me how to access the alarms in the bedroom and the shower room.

‘Mike will bring your dinner at seven. Vegetarian, yes?’ She has hold of her wedding ring again even through the gloves.

‘Yes, thanks.’

‘If I can get you anything else, let me know.’ I realize she hasn’t touched anything in the room. ‘I’ll see you in the morning.’

‘Some paper.’

‘Pardon me?’

‘Could you get me some paper, please? My laptop broke and I meant to bring a notebook but I ran out of time.’

 


“I’d agreed to be given a vaccine which was untested on humans, and then the virus which everyone was terrified of catching, and to sit in a room on my own for three weeks.”


 

This morning, when Justin and I were arguing, I’d stepped with my full weight on to my laptop where I’d left it on the floor beside the bed. He was always telling me to put it away but I never listened. I’d been staying with him in his West London flat, paid for by his father, Clive, and taking whatever jobs I could find – bar work, waitressing – determined to pay my way, and then the virus swept through the city, swept through everywhere, and the pubs and the cafes closed. I sat in Justin’s apartment, eating his food, using his electricity. He said, of course, that it didn’t matter but my zero-hours contracts hadn’t qualified me for any furlough scheme and I had debts to pay, or at least one big debt. Justin said he’d pay it off and I should come with him to Dorset, but I’d already signed up for the trial. That’s what this morning’s argument and ultimately every argument had been about. I’d heard the call for paid volunteers on the radio and had filled in an online form and passed all the tests before I even told him I’d agreed to be given a vaccine which was untested on humans, and then the virus which everyone was terrified of catching, and to sit in a room on my own for three weeks. ‘I’ll be fine,’ I told him. ‘It’s not that different from sitting in your flat. Only this time they’re paying for me to do nothing.’ He didn’t think it was funny.

This morning should have been a tender goodbye. Both of us were leaving – Justin in a hired van down to his father’s house in Dorset, me to the unit in East London. He’d begged me again to go with him but I told him to stop trying to live my life for me and that I could make my own choices.

‘A notebook?’ Boo asks.

‘Please. And a pen?’

‘No problem.’ At the door she pauses. ‘I want to say thank you for volunteering. It’s a very generous thing you’re doing.’

I wonder if the words are scripted, a phrase she’s been told to say to every volunteer, but they sound genuine.

Alone in my room, I look at my phone. The last message is from Justin: I’m in Dorset. This is where I’ll be waiting for you when you change your mind.

I put the phone back in my pocket and watch another nurse escort a woman to the room beyond mine. I didn’t see the name on her door but I catch a glimpse of her fine blonde hair and freckled skin before the enormous rucksack she carries obscures her face. The layout of her room must be the mirror image of mine with our beds back to back because, once the nurse has left, through the wall I can hear the girl speaking on her phone. She sounds Irish and her tone is bright and she laughs a lot. Other volunteers arrive, including a man who is shown to the room opposite mine. ‘Yahiko’ it says on his door. Later, I see the blue flicker of a screen through his corridor window.

In the evening, Mike delivers my dinner – sweet potato and aubergine curry with lemon rice – from a trolley he parks outside my room. He’s fiftyish and balding.

‘Make sure you order extra for tomorrow,’ he says as he hands me a menu card. ‘Everyone always complains they don’t get enough. Management think that just because you’re sitting around doing nothing you won’t be hungry but in my experience it’s the opposite. All you want to do is eat when you’re bored.’ Mike is large, soft-bodied. ‘I’ll collect the card when I’ve delivered the rest of the meals.’ I wonder about the other volunteers, who they are and why they signed up. Even if I asked, I know Mike wouldn’t be allowed to tell me. The options are porridge or yogurt and granola for breakfast, sandwiches, crisps and fruit for lunch, and for me either vegetable lasagne or mushroom risotto for dinner. I tick two sorts of sandwiches and both vegetarian options.

I get another text from Mum while I’m eating.

Please don’t do this again. I know you think you have to because of what happened with your father but none of that is your fault. No one will think any less of you if you change your mind and leave. Please, darling, just think about it.

She’s written more but I turn off the screen and put the phone face down on my bedside table. I want the trial to start so that I don’t have time for second thoughts or to analyse my decision any further. I have coated the idea that I might be doing the wrong thing with a thin layer of self-assurance, brittle and flaking where I’ve picked and rubbed at it, so I know if I read the rest of her message the veneer will crumble, and if I reply to Justin he’ll offer to come and get me and I’ll say yes.

I’ve finished eating and I’m still hungry when Mike comes back in. ‘Nearly forgot,’ he says. ‘From Boo.’ He puts a pen and two spiral-bound notebooks on the bed.

That evening, I open one and pick up the pen.

Dearest H,

 

Extracted from The Memory of Animals by Claire Fuller, out now.

 

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