Extract: Wild Imperfections compiled and edited by Natalia Molebatsi

This entry was posted on 08 July 2021.

An anthology of womanist poems for the times.

 

DIANA FERRUS (South Africa)

This Song of Freedom

this song of freedom

fades, sounds futile

when a lone gunman

loaded with hatred

expels from his chest

unfounded fear onto people

who have never hated him

never demanded from him

anything

but their dignity

 

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MIRIAM ALVES (Brazil)

Womanly

the present the search

the fire the escape

the hoarse-mute words

another being

another order

breaking loneliness

sleeping nightmares

waking hope

involved in warm embraces

in the king-size bed of dreams

we face lust

shameless

passing the warm tongue on the lips of the moral

causing unsettling spasms

without raising flags or skirts

seeing the final barriers come down

when we kiss in the square

 

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MAKHOSAZANA XABA (South Africa)

Sister to Sister

He told me about you

Even when I disagreed

He named our two children

after the two he had with you.

His wish was that his children

Visit South Africa, some day

Can we talk – sister to sister –

before I take you to his grave?

 

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CHERYL L CLARKE (USA)

Brief Interval

I knew what I was about stroking

your lovely neck in the perilously brief

interval at the intersection of desire, the real,

and feminist derring-do.

And if the intersection is three or four points

of variance, divergence, diversion,

aversion, and hapless brief interval

larger than the grid,

in dread of a walled corner,

a piano stool, a contraband .38,

and that flip of an eye eros,

oh, throat

I don’t do well with expectation.

Come up here if it’s too cool a story

below with your windows cracked.

Higher is warmer

in this last, fast phantasmic

interval.

 

******************************

 

JACKIE KAY (Scotland)

A Banquet for The Boys

For MK, Andy, Phazey, B-man and Bailout

When your foot was stood on and you couldn’t stand

And you couldn’t cook for Phazey or B-man,

I ordered you a feast to lend a helping hand:

For your benevolence, some baba ghanoush

And for your fidelity, your empathy – fattoush,

For your brotherly ways, some moujaddara set al beit.

For Black Lives Matter some bamieh bil zeit

Tabbouleh since you’re all trans-affirming bros.

Halloumi to hail the halo round your afro.

Zucchini since you’re so queer affirming,

Makdous, moutabal for loving diversity and the mandem.

Restorative justice in a Vegan Lovers’ Platter.

For love, for the love of protest – pickles, bread.

For keeping your head, boys, for knowing what matters.

 

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ANNI DOMINGO (Sierra Leone)

Empty Cradle

Joyful announcement, their angel child,

O, what a picture, what a photograph.

Rock-a-bye baby, no bundle of joy,

silently cradling my bundle of pain,

searing ache for lost precious child. Nothing.

 

Lightweight-heavy in love-hate arms,

they cannot conceive, they do not know,

the brutal cruelty of perpetually failing.

Internal clock ticking a tick-tock

longing for that missing child. Nothing.

 

Children, children everywhere.

Pregnant women, smoking, drinking,

beachball bulge proudly thrusting.

When the wind blows, kicking, punching,

coveting that special child. Nothing.

 

Desperately counting calendar days,

coaxing tired love-machine erect.

Crying hurry, hurry, do it now!

A million baby kisses I’ll deliver,

praying, aching for a heart-child. Nothing.

 

Waterlogged ovaries, fallopian tire-tubes,

legs strung up like hunks of meat,

cells dividing on clear plastic dish.

Cradle falling as the bough breaks,

conceiving clinically, a spirit-child. Nothing.

 

Heart rapidly beating tattoo of hope,

spark of fragile humanity lighting.

One-day pregnant, then bleeding hell,

no cradle to rock.

Departing your fantasy-child. Nothing.

 

Hear me, angels, Mother Mary, all.

Frenzied rhythm of despair, pounding

on hassock, pew and chancel floor.

By the light of the silvery moon,

cursing dreams of miracle-child. Nothing.

 

Heart’s burning ashes smouldering,

Flickering flames of desire dying.

Cruel reality, an empty womb.

Aged clock will never strike one.

Dream-child, heart-child, desired child. Nothing.

 

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KADIJA SESAY (Sierra Leonie/UK)

Stilled Tragedy

Photographer arrives in Congo

within minutes of her loss.

Dead baby granddaughter in her arms.

Hot tears, warm body;

cocooned by family of women.

Their tragedy and grief encapsulated

for a contest,

a moneyed prize of thousands.

 

Who wins?

 

Photographer arrives in Haiti

within hours of her distress

sends zoomed-in snaps of ripped flesh,

separated limbs, rubbled homes, tented grief;

children with no hands to wipe away their tears

sent by satellite to the newspaper

waiting on standby –

the first to transfer this agony to the world.

 

No contest. The prize?

First on the scene. Front-page news.

Pat on the back. Money via bacs.

 

Who wins?

 

******************************

 

ANA-MAURINE LARA (Dominican Republic)

La Zafra

For Lorgia

The cane is cut

and the air is filled

with ash white as bone,

soft as feathers.

The sticky, bitter scent

of molasses catches

in our throats.

The soil is soaked with blood

red as the line of sugar

dripping from the cane

against machetes.

We drift among the remains,

our eyes search for other eyes,

the reflection of light

on green waters dances,

a shiny, glimmering flash

through the smoke.

We know then

that flicker of flame

dancing white hot on waves.

We know then

we are the water

the earth the wind

the fire itself,

the circumstance

through which this moment

becomes. We know then

the wounds are only

of flesh and

of heart and yet

here we are:

drifting among the ashes

present to the stars, the sun,

witness to the night, the instant

when it shifts into dawn.

 

******************************

 

OLUMIDE POPOOLA (Nigeria/Germany)

mercy killing

how? mend among the broken

clad shadows with mornings

unforgiving memories with release

 

how? not always politely

turn, turn, turn both cheeks

wear the mourning like we bear

 

like we bear everything

if you dish it

and say: it’s culture

 

witness not only the holy

outpourings and grant them

respect it wouldn’t return

 

hanging on the front cover*

like rolling stones

hanging on to dear life

 

undo. that spirit’s meaning

from every drip of ink

impeccable, sown across

 

the vastness, the depths

of longing belonging

until death do us part

 

there, amongst the elders

place that anguish

pushing, ask: how?

 

don’t forgive cause

some dress it: it’s culture

then clothe it in mortal sin

 

so impeccably woven

as if the vastness, as if the depths

did not swallow us without mercy

 

* In October 2010 the Ugandan newspaper Rolling Stone published the names and photos of ‘top homos’ next to the headline ‘Hang Them’, ‘to protect Ugandans from the recruitment of children to homosexuality’. The death penalty for repeat ‘offenders’ introduced in 2009 has in part been inspired by a group of us evangelicals with close ties to the country.

 

Extracted from Wild Imperfections, out now.

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compiled and edited by Natalia Molebatsi
 
 
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