The Patchwork Marriage
Chapter One
Chapter One
'Destined to be a classic ...a sharply funny, clear-eyed examination, in the vein of Mary McCarthy's The Group, of the power and burden of privilege, the reality of being a modern woman and the lasting bonds of female friendship.' Vanity Fair Can a weekend change your life? Clover, Addison, Mia and Jane were college roommates until their graduation in 1989. Now, twenty years later, their lives are in free fall. Clover, once a securities broker with Lehman Brothers, living the Manhattan dream, is out of a job, newly married and fretting about her chances of having a baby. Addison's marriage to a novelist with writers' block is as stale as her artistic 'career'. Mia's acting ambitions never got off the ground, and she now stays home with her four children, renovating and acquiring faster than her Hollywood director husband can pay the bills. Jane, once the Paris bureau chief for a newspaper, now the victim of budget cuts, has been blindsided by different sorts of loss. The four friends have kept up with one another via the red book, a class report published every five years, in which alumni write brief updates about their lives.
But there's the story we tell the world, and then there's the real story, as the classmates arriving at their twentieth reunion with their families, their histories, their dashed dreams and secret longings, will discover over the course of an epoch-ending, score-settling, unforgettable weekend.
6A. Seriously? I look at the boarding pass in my
Northern Yemen, near the Saudi border August 1967
Mitch Albom the inspirational author of Tuesdays with Morrie and The Five People You Meet in Heaven returns with his most heartfelt novel yet, The Time Keeper.
It's every parent's worst nightmare...Stephanie Harker is travelling through the security gates at O'Hare airport, on her way to an idyllic holiday. Five-year-old Jimmy goes through the metal detector ahead of her. But then, in panic and disbelief, Stephanie watches as a uniformed agent leads her boy away - and she's stuck the other side of Security, hysterical with worry. The authorities, unaware of Jimmy's existence, just see a woman behaving erratically; Stephanie is brutally wrestled to the ground and blasted with a taser gun to restrain her. And by the time she can tell them what has happened, Jimmy is long gone. But as Stephanie tells her story to the FBI, it becomes clear that everything is not as it seems with this seeminglynormal family. What is Jimmy's background? Why would someone want to abduct him? And, with time running out, how can Stephanie get him back? A breathtakingly rich and gripping psychological thriller, The Vanishing Point is Val McDermid's most accomplished standalone novel to date, a work of haunting brilliance.
One night we went to take in the fishing lines. We had left it pretty late and in the darkness they felt strangely heavy, but without the tug of a fighting fish.
‘Feels like a plastic bag,’ Robert said.
The bag spat a jet of water at us, soaking our heads as we looked over the side, trying to figure out exactly what we had caught. A hefty pair of squid, taken on our lead-headed fishing lures.
‘Well I never,’ said Dad.
The next day Mom fried the squid in batter for lunch. Although the wind was still on the nose, it had picked up and we hunkered down on the main saloon floor with the table lashed against the bulkhead while Vingila threw herself at the waves. We ate the fried squid from bowls balanced on our knees. Something was wrong with Mom’s recipe; the batter had fallen off in the oil and formed brown floating balls which she had fished out and served atop the pale, contorted curlicues of sliced hood and tentacle. Frying oil, which could have been fresher, collected in pools beneath our mounds of rice. Mom thought draining food on paper towels was wasteful. Pepe had his own bowl in the corner with oil and crunchy bits. When he looked up, his beard was dark with fat.
‘Did you put lemon on this?’ Dad asked Mom.
‘Now tell me, where would I get a lemon?’
‘Tastes like lemon to me,’ Robert said. He was right. Perhaps it was because we’d been so long without lemons – or any other fresh fruit – but our calamari, although not too tender, had a delicate citrus aroma. It was delicious. After two hours of cooking and eating we were full and fell greasily asleep on the floor for the rest of the afternoon.
Some days later when Dad’s sights showed we were being pushed towards the coast by the current he said, ‘Why don’t we go to Ecuador?’
We were all tired of sailing by then and Mom was hoping she could buy some bananas. We turned Vingila so that the wind hit her beam, and she increased her speed by a fraction as she made for the coast of Ecuador where Dad found Baia Pinas, a settlement so small it scarcely appeared on the chart. We were very far from Quito. In fact we were far away from almost everything. A ring of mountains in a thick coat of jungle formed a backdrop to a tiny cluster of dwellings. There was a wooden hotel on stilts and an airstrip, a few huts and a small but secure anchorage crammed with smart, new, recreational fishing boats. In the evening, after the boats came in, giant marlin and sailfish were hung bill down on hooks while the men who had caught them posed alongside for photographs. Once or twice I spotted bare chested jungle people in loincloths and grass skirts drifting out from the damp, liana draped trees to watch. They never spoke a word. Inside the hotel, the walls were covered with the pictures of men and their fish. There was a ten to one club, for those who had caught a hundred pound marlin on ten pound breaking strain line, and a twenty to one club. In the corner a glass case stood filled with trophies. Against the far wall a stuffed and painted marlin at least nine foot long swam against the grain of the wood.
After the first night the manager of the hotel asked us to leave.
‘This place is for fishermen only,’ he said, ‘and we have a very exclusive clientele. I don’t want any trouble.’
‘What kind of trouble was he expecting anyway?’ Mom asked. She was upset because she hadn’t been able to buy any bananas.
‘Drugs?’ said Robert.
‘Don’t think so,’ I said. ‘Aren’t drug running boats supposed to be fast?’
Dad gave me the evil eye then, so I didn’t say anything more, though I could have.
Back at sea the wind had turned and the skies had grown clearer. We set our sails again for Galapagos. Vingila still wasn’t moving and we still hadn’t figured out she was dragging a carpet of writhing barnacles cemented to her underside. Around us, the sea teemed with billfish. Even at our low speed we caught a few, but they snapped our lines. We saw silvery torpedoes rocketing from the sea and tail-walking to the whirr and ping of our reels. We were fishing with 200 pound breaking strain tackle. We didn’t even belong to the one to one club, I thought, no wonder the manager had asked us to leave. But what would we do with a fish that size anyway, Mom wanted to know, who would cook it? One morning Dad found a few marlin on deck. As long as his thumb, they were perfect copies of their elders, right down to the dorsal fins that slotted into pouches on their backs. Lynnath put them in a jar of formalin.
‘As far as I know,’ she said, ‘baby marlin haven’t been described. I’m going to write this up.’
‘Another magazine article?’ Mom said. ‘That would be nice.’
When we started catching birds we knew we had reached the Galapagos. We had spent a month at sea crawling our way over 800 miles and even our onions were finished. Donella had arrived in the Galapagos a week earlier and Christian, over the radio, told Dad to clear in at Wreck Bay on Santa Cristobal before making our way to Isla Santa Cruz. Mountains rose from the sea like black teeth and the gannets wouldn’t leave our lines alone. They dived like arrows and we kept pulling in soggy, yellow-eyed birds, avoiding their beaks and unhooking them as they vomited seawater over the stern. We threw them back before Pepe got at them but a few looked as if they wouldn’t make it.
Mom came up with the pilot book.
‘I’ve just read,’ she said, ‘that this entire area is a nature reserve. So I think you should stop catching these poor birds.’
Lynnath agreed and we took the lines in.
The capitano of the parks board wasn’t pleased with us either.
‘Where are your visas?’ he asked.
Mom and Dad acted surprised. What visas, they said, we didn’t know about visas. The capitano had shiny hair combed back from his forehead and a black moustache. He was unmoved.
‘If you don’t have visas, you cannot stay. Please prepare to leave.’
Then Dad launched into a story about how we had had such a long and difficult trip, and we had run out of food and that Robert and I, since leaving South Africa had only ever wanted to see the Galapagos Islands, which was why we had started the whole circumnavigation in the first place. We only bought this boat, he repeated, so that our children could see the amazing animals of the Galapagos. This was news to me.
‘How can you turn them away now?’ Dad asked, casting his hand towards the bunk where I was sitting beside my brother.
I saw the capitano’s moustache quiver a little. His eyes lingered on my blonde plaits, making me wish I had washed them more recently. I gave a small, unhappy smile, glancing at Dad to see if that was what he wanted.
Pat Barker returns to the First World War and to the characters of "Life Class" with her new novel "Toby's Room", a dark, compelling story of human desire, wartime horror and the power of friendship. When Toby is reported 'Missing, Believed Killed', another secret casts a lengthening shadow over Elinor's world: how exactly did Toby die - and why? Elinor determines to uncover the truth. Only then can she finally close the door to Toby's room. Moving from the Slade School of Art to Queen Mary's Hospital, where surgery and art intersect in the rebuilding of the shattered faces of the wounded, "Toby's Room" is a riveting drama of identity, damage, intimacy and loss. "Toby's Room" is Pat Barker's most powerful novel yet. Praise for Toby's Room: "Heart-rendering return to the Great War...On every level, "Toby's Room" anatomises a world where extreme emotion shatters the boundaries of identity, behaviour, gender. Through the mask of Apollo bursts an omnipresent Dionysus". ("Independent"). "Once again Barker skilfully moves between past and present, seamlessly weaving fact and fiction into a gripping narrative". ("Sunday Telegraph").
"A gripping and moving exploration of the lasting effects of war". ("Woman & Home"). "A natural storyteller...the reader [will be] torn between wanting to linger over the sheer pleasure of the writing and the desire to rush towards the end to discover how it all pans out". ("Daily Mail"). Pat Barker was born in 1943. Her books include the highly acclaimed Regeneration trilogy, comprising Regeneration, which has been filmed, "The Eye in the Door", which won the Guardian Fiction Prize, and "The Ghost Road", which won the Booker Prize. The trilogy featured the "Observer's" 2012 list of the ten best historical novels. She is also the author of the more recent novels "Another World", "Border Crossing", "Double Vision", "Life Class", and "Toby's Room". She lives in Durham.
One
Forgive me. I’ve . . . missed the point.
Jen’s lips twitch as if to release a fresh torrent of words. None comes. Those few linger on her tongue then dissolve into the ether of her subconscious which, like the weather, is forever changing. It hovers in a cloud tossed about by capricious gusts, it plummets her into an uneasy darkness in which her wasted limbs squirm like pale blind worms on the hospital bed. There are days she is drowning, nights when her half-life mimics the hyperactivity of a lifetime and robs her of precious breath. Only when she is sunk in a black narcotic slumber is she finally at rest.
Yet her bones must unlock one last time. Jen takes in a long snore of air and holds it. Shuffling shoulder and buttock, she inches backwards, executes a neat about-turn and unfolds against her husband’s curved back.
He turns. His fingers track to her banked core. She exhales on a sigh that resonates through the ward. In her restless unrest, her limbs remember his body, his long Irishman’s legs and lean chest. The smooth warmth of his stomach. His singular coppery scent.
Gordon flops over onto his back, arms flung out behind him. A plaintive cry rakes through her. Sweat breaks out under her arms, between her legs. She gathers herself and bends over him. Her tongue grazes his nipples and navel, flicks at the pelt of his groin. She lowers herself onto him. Taking him inside her, Jen rides him slowly, slides him so deep that every nerve end in her body crackles. She feels the wildcat clench of pelvic muscles and his racing heart in the palm of her hand.
It’s over before she allows herself to breathe properly.
Her ragged whistle conjures up a shadow which looms over her for a moment. Something brushes her forehead.
A little warm, says the shadow.
Jen feels a tug at her wrist. She rolls off Gordon onto her back. Little pools have gathered under her eyes, around her mouth. Without his heat beneath her, the air nips spitefully. She licks her lips, reaches for a corner of a sheet and wipes her face.
Gordon has his back to her, his naked shoulder sharp, glossed by moonlight. A fine spoor of sensation nests between her thighs.
From an open window somewhere, a breeze flows into the ward. The bed creaks as she tries to turn, steeped in the old sour mix of triumph and failure. There was a time when her lovemaking could raise the dead. Now her husband cares so little that he loves sleep more.
But the deed is done. Beneath the sheet, tissue skin papering Jen’s thighs quivers as she dreamlifts knees like blanched pebbles and clasps them together, buttocks taut to keep Gordon’s sperm inside her.
She surfs to consciousness on a memory of her body after lovemaking: scrubbed, languid, levitating in the sex-scented humidity like a sleepy-eyed fish, her husband’s breathing an undertow. The memory revives a powerful sense (in the circumstances) of the early years: the fierce, blood-rich currents that streamed between them. Later, when love or whatever the fever was that raged between her and Gordon began draining away, it left behind a silt of disappointment, regret, inchoate longing. And under that the inimical prick of her wounded ego. But in the end apathy blanketed all, diminished volatile battle lines to squiggles and a desolate distance of skin and limb. They became insubstantial: sketchily linked outlines not quite faint enough to vanish altogether.
A blossoming of agony sears to the bone. It ratchets Jen to full wakefulness, makes her flinch against the pillows. The silent ward echoes to the familiar dissonance of her low moan.
A soundless pink and grey nurse appears, reaches up, murmurs reassuringly. The fire inside her is put out, leaving behind markers that could ramp up and scorch at will.
Almost immediately a voice insinuates itself. Of late the voices don’t hold back. They clamour for attention; and they seem to know more about her than she does.
What are you waiting for?
This time, Jen summons up an answer. Not . . . waiting, she mumbles. Don’t tell me . . . Whoever you.
She waits, blinking to clear the persistent haze. Where do you come . . .? What . . . do you want?
Her accusers are silent. Perhaps the questions are beneath contempt. A cloud of pharmacology settles around her. Stifles debate.
after jen read – in a magazine, where else? – that humming is an antidote to anxiety and good karma into the bargain she began humming regularly. Not the ommmm or aiiimmm of a true meditator (not her!) but any song that came into her head. Which, as it turned out, might have been her mistake. She was humming ‘Singin’ in the Rain’ in the shower when she found the lump. Beneath probing fingers it felt as big as a hazelnut and as unyielding.
Her insides coalesced to a mush; the din of the shower vanished to a distant susurration. She found herself sitting on the floor, hyperventilating through hair and sheets of water.
Levering herself up against the wall on shaky legs, she switched off the taps, amazed to find that she was already ahead of the game, already in the planning stage, her head bristling with details: what to do about the house, what Gordon needed to do for her, the stuff she would have to buy and to pack for the hospital.
It was only after the humming (!) and hawing of the oncologist, puce, probably from endless repetition of his crappy mantras – hmmmm, positive thinking, willpower, hmmmm, new drugs, new discoveries all the time (for her more radiation and chemo) – that the bottom line hit her.
Her own body had pulled a fast one. As the truth sank in her outrage mushroomed and imploded inside her. Holy vessel, my eye! Her vessel was a freak, a sellout; a treacherous rat that cringed and capitulated rather than resorted to extreme measures to evict the marauder. The thing was given house room, her organs, her glands, her bloody bloodstream submitting so humbly to their sinister tenant that it practically had room service! Ample opportunity to sprout enough tentacles to take over the entire house.
An absolute control that left her out of the equation.
Jen’s mantra became why? Not why me, but the bigger question, why would her vessel – any fucking vessel – turn on itself so ferociously? She ranted at Gordon, flayed herself, bawled why? in the car going to the supermarket, driving home from bridge, after her doctor’s appointment. She harangued the oncologist, I’ve lived healthy, eaten well, exercised (moderately), used my brain (somewhat), so why, why, why?
Alone in her room in the dark, Jen bayed at the moon and the impenetrable, impervious night. An old expression of her mother’s, in her mother’s faintly hectoring rasp, crept in from somewhere: Krich arein in di bayner.
Crawls into the bones; worms its way into your most private, sensitive parts and wreaks havoc.
Much later, when her insides are embroiled in a molten holocaust and time measured in hours and days is losing its meaning, a fragile window of remission brings a hairsbreadth of light. Drifting in its beneficence, the moment she first glimpsed the other face of cancer returns to her in a wave of despair.
Sitting opposite the doctor after the initial tests, she was only half-listening to his tentative use of the pernicious cancer lingo. A language entirely new to her. Axillary surgery, sentinel node biopsy, grade of breast cancer, surgical margin, hormone receptors, HER2 status, lymph nodes, radio, chemo, hormonal therapies. Even as the doctor was speaking, Jen was dismissing the jargon: this isn’t about me, those ghastly procedures are for some other poor sucker . . .
On he ranted, and gradually loneliness took possession of her. Gordon was with her at the time, not looking at her, not even once, failing at the emotionally supportive role he hadn’t practised in more than twenty years (she hadn’t either, but then he didn’t have cancer). An icy wind squeezed her heart. Her eyes were dry, skin lifeless, flesh wrung out, desiccated. Among stunned, roiling abstractions, an ‘aha’ darted in, ringing with authenticity.
You’ve been found out. It’s been coming for years. You always knew it was only a matter of time before the knockout blow. The chmallyeh.
Payback time.
From the bestselling author of Blue Bloods Melissa de la Cruz, comes Wolf Pact, the first book of a series that will reinvent the myth of the werewolf in the same way that Blue Bloods did with vampires - with style and NYC flair! Once enslaved in the darkest pits of the underworld, Lawson and his pack were destined to become Hounds of Hell. Escaping to Earth bought them a little time, but their old masters soon catch up with them and take away the one thing Lawson is desperate to keep hold of - the girl he loves. Now, Lawson needs to hunt the beasts he was running from if there's any chance of seeing her again. When Bliss, a mysterious ex-vampire, turns up on her own search for the Hounds it seems she might hold information that will help. But will she be able to trust this insolent, dangerously good-looking boy when she knows that he has a wolf's soul?